Never enter a house made
of candy. And if you ever want to kill a witch, just set her butt on
fire - these are the principles on which the heroes from the
children's bedtime stories, who have now turned into hardened bounty
hunters, killing witches around the world, operate. Tommy Wirkola's
Hansel and Gretel - Witch Hunters, is a dark re-telling of one
of the Grimm brothers' most celebrated fables.
In an inconsistent
narrative which raises many a doubt about the period, the logic and
reasoning behind the setting; this film makes a joke out of a great
story, to say the least. Apart from a few elements like the fact that
Hansel has diabetes due to excessive consumption of candy in a
traumatic experience in his childhood, and a background story which
builds a plot-centric past for the leads; the film brings nothing new
to the table. Set in the same time period as the original tale,
perhaps (it is not specified), there is no plausible explanation for
the advanced arsenal that Hansel and Gretel carry (like in Van
Helsing) and neither does the film elucidate as to why in the
14th century are people saying, "Whatever happens, stay cool."
The plot focuses on
Hansel and Gretel, who have travelled in search of witches, destroyed
many of them and saved villages, only to return to their old village,
which is now plagued by witches. As the blood moon approaches, their
task is to find the children kidnapped by the witch for a black magic
ritual for eternal power. But this quest leads them deep into a web
which will bring back some unresolved issues of the past. The
dullness of the narrative snowballs gradually and you end up watching
a mindless, bloody action film which fails to interest you in the
fate of the characters.
With Jeremy Renner and
Gemma Arterton in the lead roles, the first question that pops on to
anybody's mind, nearly 20 minutes into the film, is - what are these
two doing in this gratuitous film? However, Jeremy Renner's
stone-cold looks and indifferent dialogue delivery seem to take your
eyes off the epic ridicule that you are being subjected to.
Infrequent punch-lines and irritably monotonous dialogues also put
you off a lot.
Finally, the moral of
this story is that a lot can go wrong from the time an idea for a
film emerges to the time it is made. The shrewd storytelling of the
Grimm brothers is lost in translation onto the screen and although
the film is dark and spooky, it lacks the strength to build up the
mystique and isn't the wicked flick everyone wanted to see.
Rating - 2.5 out of 5
Published in DNA After
Hrs (Pune) on February 2, 2013
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