Showing posts with label Deewaar. Show all posts
Showing posts with label Deewaar. Show all posts

Monday, March 18, 2013

Platinum Kapoor - A list of Shashi Kapoor's Best Films

Jab Jab Phool Khile (1965)



Belonging to the second generation of the Kapoors, Shashi was the youngest son and had two great examples in front of him in Raj Kapoor and Shammi Kapoor. After a slow start to an otherwise illustrious career, Shashi Kapoor became a superstar after Jab Jab Phool Khile. Starring opposite Nanda, who was a bigger name in the industry than him, Shashi mesmerised the audience with his sharp features on a childlike face. The duo went on to act in several films together and had mutual admiration for each other. Set in the heaven-on-earth setting of Kashmir, the film saw Shashi as a boatman who falls in love with a rich tourist girl. The film is remembered for its romantic songs like 'Ye Sama, Sama hai ye pyar ka' and 'Pardesiyon Se Na Ankhiyan Milana'.

 

Shakespeare Wallah (1965)



One of the first Indian actors to go international, Shashi Kapoor has acted in several English films in the early days of his career and also in his twilight. Shakespeare Wallah was a story of a theatre troupe that toured India performing Shakespearean plays. Shashi played the role of Sanju, and was cast opposite Felicity Kendal. Interestingly, Shashi fell in love with her sister Jennifer and got married. As a couple, they made a huge contribution to cinema before Jennifer’s death in ‘84. Shashi also produced 36 Chowringhee Lane which starred Jennifer, the 1981 film by Aparna Sen.

 

Deewaar (1975)



You know you have had the last word in any argument when you are the one saying “Mere Paas Maa hai”. When Shashi Kapoor’s Ravi says it to Amitabh’s Vijay, for the first time in the film, you see him as more powerful than the angry-young-man. One of his most powerful supporting roles, Shashi did a lot of films with Amitabh, like Namak Halal, Do Aur Do Paanch, Suhaag, Kaala Patthar, Trishul, Kabhie Kabhie and Silsila among others. In many, his role could easily be classified as a supporting actor, but his Inspector Ravi Verma was by no means a supporting role. He was a parallel hero.

 

Junoon (1978)



Yet another collaborative with Shyam Benegal saw Shashi Kapoor produce and act in this period drama based on A Flight of Pigeons, a novella by Ruskin Bond. Set around the revolt of 1857, the film is about an unexpected love that blooms between a British girl and a feudal lord. A gripping tale of love, jealousy and loyalty; the film explores the period and strikes the right balance between the personal and the social aspects. Shashi Kapoor plays the role of Javed Khan, the feudal lord whose world revolves around breeding carrier pigeons. The film won the National Award for best film as well as for cinematography (Govind Nihalani)

 

Kalyug (1981)



Taking cues from the most important story in the world, Shyam Benegal's Kalyug was quite unfairly dubbed as a modern Mahabharat. The characterisation of most important characters was indeed derived from the epic, but the plot and the screenplay of the film were very different from what Vyas originally wrote. However, in a role as Karan Singh, Shashi Kapoor had the opportunity to portray Indian literature's most tragic character. The film was critically well received and Shashi Kapoor's role was applauded by many and remains one of his best performances on screen.

 

New Delhi Times (1985)



After having established himself as an actor and appearing in nearly 10 blockbusters in the 60s and 70s including the epic Waqt (1965), the only thing that made Shashi stand apart from his brothers was his interest in the alternative cinema. New Delhi Times, a rare film that dealt with the issue of corruption, saw Shashi play the role of a newspaper editor who exposes the politician-media nexus. His powerful performance in the film rightfully won him the National Award for Best Actor. Even today, it remains one the few films made in India that deals with the plague that is corruption.


Published in DNA After Hrs (Pune) on March 15, 2013

Friday, October 5, 2012

5 Films: That Are Yash Chopra's Best


Waqt (1965)



After a couple of low intensity films, Chopra made a grand entry into the main stream with this film, which over time achieved cult status. This star-studded film starring Sunil Dutt, Rajkumar, Sharmila Tagore, Shashi Kapoor, Balraj Sahni and others was the foundation of the legendary Khoya-Paaya formula that dominated the film industry in the 70s. Waqt is the story of a family, separated by a natural disaster, that never really comes together but their destinies are intertwined with each others. With Sahir Ludhianvi’s lyrics embracing the voices of Mohd Rafi and Asha Bhosle, this film is a classical Indian musical drama. Chopra’s films are known to conjure up classics and Ae Meri Zohra Jabeen is just the example of why songs are the backbone of mainstream cinema in India.


Deewaar (1975)



Chopra’s collaboration with the writer duo Salim-Javed has produced some legendary work and Deewaar is arguably the best collective outcome. Amitabh Bachchan at his angry-young-man peak wording with perfection lines like Main Aaj Bhi Feke Hue Paise Nahi Uthata and Aaj Khush Toh Bahot Hoge Tum. With scenes that have been re-enacted, referenced, and paid tribute to, Deewaar is a landmark in itself. The fight sequence in the beginning, the brother’s rift in the Mere Paas Maa Hai scene and the climax in the temple have been a part of our imagery ever since.


Silsila (1981)



Chopra’s reputation as the best romantic filmmaker in India can be attributed to the enormous success of Silsila. A complex love story of two lovers whose feelings for each other resurface when they meet after separation. This rosy musical celebrates love and comments on the institution of marriage, morality and desire. With Bollywood’s talked about pair of Amitabh and Rekha romancing to legndary songs by Javed Akhtar and composed by Shivkumar Sharma and Hariprasad Chaurasia as Shiv-Hari. The film ends with a message love is faith and faith is forever. Among its fans, Silsila is unarguably the best romantic film of all time.


Kaala Patthar (1979)



On its face, Kaala Patthar would stick out like a thumb on a hand that counts Chopra’s films. Unlike all the mainstream films that the man produced before and after this one, Kaala Patthar’s premise is much darker, serious and unusual in style. However, star value in the film remains intact with Shatrughan Sinha, Shashi Kapoor, Neetu Singh, Rakhee and others collaborating with Chopra’s muse of sorts – Amitabh Bachchan. Kaala Patthar is a tragedy based on an accident in an underground coal mine, but it transcends the tragedy and focuses on the positive – the heroic resurrection of a man who had given up on himself. Quirky dialogues, well-crafted scenes and a blend of melodrama and subtlety, Kaala Patthar is Chopra’s finest work.


Dil Toh Pagal Hai (1997)



There are two types of people in the world – romantics and hopeless romantics. And these are the only people who like the gooey romantic cinema that is offered by the father of romance in Indian films. Dil Toh Pagal Hai is a story of three youngsters whose quest for love takes them on a complex journey where friendship is tested, misunderstandings and ego clashes erupt and love remains unrequited for. But all of this is put together in a lively manner with Shah Rukh Khan (Yash Raj’s next big muse), Madhuri Dixit and Karisma Kapoor. The chirpy Chopra musical defines Indian cinema of the 90s and also sketches the outline for the future of the mainstream.


Published in DNA After Hrs (Pune) on October 5, 2012