Devdas (1955)
Based on
the classical novel by Sarat Chandra Chattopadhyay, Devdas is perhaps
India's most celebrated romantic tragedy. Among the four popular
versions in Hindi cinema, which include the likes of KL Saigal, Shah
Rukh Khan and more recently, Abhay Deol in the role of the miserable
drunk lovesick character; Dilip Kumar's edition, directed by Bimal Roy,
is still considered the best. One of the major contributors in building
his image as the tragedy king, Devdas became a cult film and a cultural
symbol for all love-struck hopeless romantics.
Mughal-e-Azam (1960)
This
K Asif film was an epic of large proportions on every single scale. The
sets, the screenplay, the dialogues and lyrics, the music and of
course, the cast. With Prithviraj Kapoor as Akbar and the fairy-like
Madhubala as the court-dancer Anarkali; the film is a major landmark in
the history of Indian cinema. For Dilip Kumar, who was reluctant to work
in a period film at first, the role turned out to be iconic and by this
time, he had gained a superstar status with a daylight of a distance
between him and the others.
Ram Aur Shyam (1967)
It has
been 45 years since this film hit the screens and we are still making
Ramesh-Suresh jokes. The legacy of the double role was popularised by
the two Dilip Kumars on screen. Ram and Shyam are twins, who are nothing
but alter-egos of the same personality -- a plot that has thereafter
been used in a multitude of blockbuster hits like Sita Aur Gita (Hema
Malini), Chaalbaaz (Sridevi) and Judwaa ( Salman Khan). The film was
marketed as Dilip Kumar's first dual-role and marked the beginning of
the doppelganger effect in Hindi films.
Saudagar (1991)
Dilip
Kumar has been inactive since acting in Qila in 1998. However, for fans
and followers, who have seen him through the large part of his
illustrious career, it is impossible to attribute it as the retirement
film of this impeccable actor. Saudagar, on the other hand, was the film
he did before Qila; and the Subhash Ghai film had him play Thakur Veer
Singh, acting along side Rajkumar for the first time since Paigham.
Influenced by the plot of Shakespeare's Romeo and Juliet, Saudagar sees
Dilip Kumar in the role of Capulet.
Naya Daur (1957)
A
typical melodrama of the 1950s where socialism was at the forefront of
every second film, Naya Daur is a tale of man versus machine. Set in
post-independence India, where rapid industrialisation had rendered many
professions rudimentary, Naya Daur sees Dilip Kumar as Shankar trying
to compete with the advancements around him. Shot originally in black
and white, the film was colorised and re-released in 2007. With OP
Nayyar's fabulous music to go with the rural setting, this BR Chopra
film made Dilip Kumar a people's hero in the truest sense.
Published in DNA After Hrs (Pune) on December 14, 2012
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